Director Matt Reeves has revealed the first look at Robert Pattinson in the new Batsuit for “The Batman”. I’ve been awaiting this with a lot of excitement ever since Pattinson was announced in the titular role back in May 2019, and this camera test footage has left me counting down the days until June 2021.
Annihilation is a rare film, and Alex Garland is a rare writer/director (not forgetting the source material’s author in Annihilation’s case; Jeff VanderMeer). He is the only person I can think of that has captured the sci-fi trends that Hollywood has missed in the last 20 years.
Happy New Year fellow photographers, lighting professionals and cinema lovers. You may notice that things are looking a bit different around here now. Two things have taken place over the festive period. Firstly, I’ve switched to a dotcom domain, and secondly, I also took the opportunity to give the website a fresh coat of paint.
Where to even begin with this. I’m won’t sit on the fence teasing you so that you read the entire post to find out what I though. I’ll put my cards on the table now; I absolutely loved Blade Runner 2049.
IO Interactive made a bold move by releasing a AAA title with an ‘episodic’ business model. Has this resulted in Danish developer, IO Interactive, creating the perfect Hitman game?
2015 and 2016 were years of blockbusters not delivering on promises showcased in their trailers, or they desperately revealed their trump card to get people on cinema seats (we’re looking at you, Terminator Genisys). The first half of 2017 looks promising. Let’s hope that the studio executives don’t have final cut on the trailers!
Amongst Rogue One’s gritty and war-torn tone and visuals, it kept an ecstatic grin across my face for the entire 134 minute run time. There were moments of shock, humour and suspense throughout. Even knowing the story’s outcome before buying my tickets, the was enough going on around this to keep the audience entertained and begging for more. Rogue One may have just become my favourite Star Wars film….
I dusted off the DVD after a decade, and felt like I watched a totally different film. I was a little older. A (little) wiser. A little more observant. I appreciated every slow camera pan, every transition and every nuance from Brian De Palma’s direction and Oliver Stone’s brutal script that piled up the tension.